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Les Fleurs du Mal

by demvr

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1.
God lay dead in heaven; Angels sang the hymn of the end; Purple winds went moaning, Their wings drip-dripping With blood That fell upon the earth. It, groaning thing, Turned black and sank. Then from the far caverns Of dead sins Came monsters, livid with desire. They fought, Wrangled over the world, A morsel. But of all sadness this was sad - A woman's arms tried to shield The head of a sleeping man From the jaws of the final beast.
2.
My childhood was nought but a ravaging storm, Enlivened at times by a brilliant sun; The rain and the winds wrought such havoc and harm That of buds on my plot there remains hardly one. Behold now the Fall of ideas I have reached, And the shovel and rake one must therefore resume, In collecting the turf, inundated and breached, Where the waters dug trenches as deep as a tomb. And yet these new blossoms, for which I craved, Will they find in this earth—like a shore that is laved— The mystical fuel which vigour imparts? Oh misery!—Time devours our lives, And the enemy black, which consumeth our hearts On the blood of our bodies, increases and thrives!
3.
We have unlearned something. We have become more modest in every way. We no longer derive man from the “spirit,” from the “godhead”; we have dropped him back among the beasts. We regard him as the strongest of the beasts because he is the craftiest; one of the results thereof is his intellectuality. On the other hand, we guard ourselves against a conceit which would assert itself even here: that man is the great second thought in the process of organic evolution. He is, in truth, anything but the crown of creation: beside him stand many other animals, all at similar stages of development.... And even when we say that we say a bit too much, for man, relatively speaking, is the most botched of all the animals and the sickliest, and he has wandered the most dangerously from his instincts—though for all that, to be sure, he remains the most interesting!—As regards the lower animals, it was Descartes who first had the really admirable daring to describe them as machina; the whole of our physiology is directed toward proving the truth of this doctrine. Moreover, it is illogical to set man apart, as Descartes did: what we know of man today is limited precisely by the extent to which we have regarded him, too, as a machine. Formerly we accorded to man, as his inheritance from some higher order of beings, what was called “free will”; now we have taken even this will from him, for the term no longer describes anything that we can understand. The old word “will” now connotes only a sort of result, an individual reaction, that follows inevitably upon a series of partly discordant and partly harmonious stimuli—the will no longer “acts,” or “moves.”... Formerly it was thought that man’s consciousness, his “spirit,” offered evidence of his high origin, his divinity. That he might be perfected, he was advised, tortoise-like, to draw his senses in, to have no traffic with earthly things, to shuffle off his mortal coil—then only the important part of him, the “pure spirit,” would remain. Here again we have thought out the thing better: to us consciousness, or “the spirit,” appears as a symptom of a relative imperfection of the organism, as an experiment, a groping, a misunderstanding, as an affliction which uses up nervous force unnecessarily—we deny that anything can be done perfectly so long as it is done consciously. The “pure spirit” is a piece of pure stupidity: take away the nervous system and the senses, the so-called “mortal shell,” and the rest is miscalculation—that is all!...
4.
Autumn Song 05:54
Shortly we will plunge within the frigid gloom, Farewell swift summer brightness; all too short-- I hear already sounding with a death-like boom The wood that falls upon the pavement of the court. The whole of winter enters in my Being--pain, Hate, honor, labour hard and forced--and dread, And like the northern sun upon its polar plane My heart will soon be but a stone, iced and red. I listen trembling unto every log that falls, The scaffold, which they build, has not a duller sound, My spirits waver, like the trembling tower walls that shake--with every echoing blow the builders pound. Meeseemeth--as to these monotonous blows I sway, They nail for one a coffin lid, or sound a knell-- For whom? Autumn now--and summer yesterday! This strange mysterious noise betokens a farewell. I love within your oblong eyes the verdant rays, My sweet! but bitter everything to-day meseems: And nought--your love, the boudoir, nor the flickering blaze, Can replace the sun that o'er the screen streams. And yet bemother and caress me, tender heart! Even me the thankless and the worthless one; Beloved or sister--unto me the sweets impart Of a glorious autumn or a sinking sun. Ephemeral task! beckoning empty tomb is set! Oh grant me--as upon your knees my head I lay, (Because the white and torrid summer I regret), To taste the parted season's mild and amber ray.
5.
Semper Eadem 42:56
We are as clouds that veil the midnight moon; How restlessly they speed, and gleam, and quiver, Streaking the darkness radiantly!—yet soon Night closes round, and they are lost for ever: Or like forgotten lyres, whose dissonant strings Give various response to each varying blast, To whose frail frame no second motion brings One mood or modulation like the last. We rest.—A dream has power to poison sleep; We rise.—One wandering thought pollutes the day; We feel, conceive or reason, laugh or weep; Embrace fond woe, or cast our cares away: It is the same!—For, be it joy or sorrow, The path of its departure still is free: Man's yesterday may ne'er be like his morrow; Nought may endure but Mutability.

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An album about societal decay and the debasement of morals.

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released November 14, 2020

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